The Vicar of Wakefield - 18 - Oliver Goldsmith - Web Novel

players were to follow the ensuing day. Good company upon the road, says the proverb, is the shortest cut, I therefore entered into conversation with the poor player; and as I once had some theatrical powers myself, I disserted on such topics with my usual freedom: but as I was pretty much unacquainted with the present state of the stage, I demanded who were the present theatrical writers in vogue, who the Drydens and Otways of the day.—‘I fancy, Sir,’ cried the player, ‘few of our modern dramatists would think themselves much honoured by being compared to the writers you mention. Dryden and Row’s manner, Sir, are quite out of fashion; our taste has gone back a whole century, Fletcher, Ben Johnson, and all the plays of Shakespear, are the only things that go down.’—‘How,’ cried I, ‘is it possible the present age can be pleased with that antiquated dialect, that obsolete humour, those overcharged characters, which abound in the works you mention?’—‘Sir,’ returned my companion, ‘the public think nothing about dialect, or humour, or character; for that is none of their business, they only go to be amused, and find themselves happy when they can enjoy a pantomime, under the sanction of Johnson’s or Shakespear’s name.’—‘So then, I suppose,’ cried I, ‘that our modern dramatists are rather imitators of Shakespear than of nature.’—‘To say the truth,’ returned my companion, ‘I don’t know that they imitate any thing at all; nor, indeed does the public require it of them: it is not the composition of the piece, but the number of starts and attitudes that may be introduced into it that elicits applause. I have known a piece, with not one jest in the whole, shrugged into popularity, and another saved by the poet’s throwing in a fit of the gripes. No, Sir, the works of Congreve and Farquhar have too much wit in them for the present taste; our modern