chief of the place, we were received with the greatest respect, and placed in the front seat of the theatre; where we sate for some time with no small impatience to see Horatio make his appearance. The new performer advanced at last, and let parents think of my sensations by their own, when I found it was my unfortunate son. He was going to begin, when, turning his eyes upon the audience, he perceived Miss Wilmot and me, and stood at once speechless and immoveable. The actors behind the scene, who ascribed this pause to his natural timidity, attempted to encourage him; but instead of going on, he burst into a flood of tears, and retired off the stage. I don’t know what were my feelings on this occasion; for they succeeded with too much rapidity for description: but I was soon awaked from this disagreeable reverie by Miss Wilmot, who, pale and with a trembling voice, desired me to conduct her back to her uncle’s. When got home, Mr Arnold, who was as yet a stranger to our extraordinary behaviour, being informed that the new performer was my son, sent his coach, and an invitation, for him; and as he persisted in his refusal to appear again upon the stage, the players put another in his place, and we soon had him with us. Mr Arnold gave him the kindest reception, and I received him with my usual transport; for I could never counterfeit false resentment. Miss Wilmot’s reception was mixed with seeming neglect, and yet I could perceive she acted a studied part. The tumult in her mind seemed not yet abated; she said twenty giddy things that looked like joy, and then laughed loud at her own want of meaning. At intervals she would take a sly peep at the glass, as if happy in the consciousness of unresisting beauty, and often would ask questions, without giving any manner of attention to the answers.
To be continued...
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